The semi-autobiographical film follows spoiled rich girl Sasha Li (Anna Akana), who after blowing through most of her trust fund, is forced by her father (Richard Ng) to go back to China and work for the family toy business. What begins simply as a way to regain financial support soon develops into a life altering journey of self discovery, as Sasha discovers her passion for toy designing and learns to reconnect with her estranged family. A bittersweet portrait of a fractured family, the film also offers an honest look at the human cost of things that are made in China.
Premiered in Narrative Competition at the 2019 SXSW Film Festival. Screened at Seattle International Film Festival, Newport Beach Film Festival, Edinburgh International Film Festival, Bentonville Film Festival
My father, a four time divorcee with six kids, is a larger than life personality. After losing everything in the Communist revolution, he vowed to provide a good life for his family, and became a self-made millionaire. But addicted to his business and unable to stay faithful, he has screwed up every family he’s ever had. It’s not enough that he was an absentee father, the moment I got out of film school, he used every trick in the book to get me to go back to China and work for the family business. Then 24, I really thought my life was over, and I blamed my father for my misery.
But ten years later, with a little bit of perspective on my side, I can finally see how entitled I was then. I split myself into two different characters – the older sister Carol (present me) and the younger sister Sasha (me at 24). Everything Carol tells Sasha is what I wish I could’ve told my younger self and what I wish to tell my own millennial sisters now. But more importantly, this film is everything I wish I could tell my father – both the good and the bad – but couldn’t. Making this film is the only way I know how to communicate with my family. And that is ultimately the reason I got into filmmaking in the first place – to discover a tool for self expression that can help heal the pain of the past.
Emily Ting’s first narrative feature Already Tomorrow in Hong Kong, starring Jamie Chung and Bryan Greenberg, premiered at the 2015 Los Angeles Film Festival. It screened at over 25 film festivals worldwide and was distributed theatrically in North America, Hong Kong, Macau, and Thailand. Emily previously produced Ishai Setton’s The Kitchen, starring Laura Prepon, Bryan Greenberg, and Dreama Walker, and Stephen Suettinger’s A Year and Change, starring Bryan Greenberg, Claire van der Boom, and T.R. Knight. Additionally, Emily served as the Associate Producer for Yen Tan’s Pit Stop (Sundance), Executive Producer for Dave Boyle’s Man from Reno (LAFF), and Co- Executive Producer for Aaron Katz and Martha Stephens’ Land Ho! (Sundance). She most recently produced Lynn Chen’s directorial debut I Will Make You Mine, which is currently in post-production. Go Back to China is her second feature as a writer/director.
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Award presentation to Rochester’s own Jack Garner, renowned critic, dedicated supporter of our film festival, and lover of film.